An American in Paris

Within the framework of the project “U.S. Art Residence in Dnipropetrovsk” the Window on America center

Dnipropetrovsk offered screening of the drama film An American in Paris (1951) with Gene Kelly, Leslie Caron, Oscar Levant starring.

An American in Paris is a 1951 American musical film inspired by the 1928 orchestral composition by George Gershwin. Starring Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, and Nina Foch, the film is set in Paris, and was directed by Vincente Minnelli from a script by Alan Jay Lerner. The music is by George Gershwin, with lyrics by his brother Ira, with additional music by Saul Chaplin, the music director.

 The story of the film is interspersed with dance numbers choreographed by Gene Kelly and set to Gershwin's music. Songs and music include "I Got Rhythm", "I'll Build A Stairway to Paradise", " 'S Wonderful", and "Our Love is Here to Stay". 
The climax of the film is "The American in Paris" ballet, a 16 minute dance featuring Kelly and Caron set to Gershwin's An American in Paris. The ballet alone cost more than $500,000.

An American in Paris

Mr. Joseph Battilega continues his project of introducing American idioms and difficult expressions to the Movie Cub members for the better comprehension of the film content.
The film «An American in Paris» (1951) was presented to all who wish to improve their language skills.
An American in Paris (1951) is one of the greatest, most elegant, and most celebrated of MGM's 50's musicals, with Gershwin lyrics and musical score (lyrics by Ira and music by composer George from some of their compositions of the 20s and 30s), lavish sets and costumes, tremendous Technicolor cinematography, and a romantic love story set to music and dance. Gene Kelly served as the film's principal star, singer, athletically-exuberant dancer and energetic choreographer - he even directed the sequence surrounding "Embraceable You." The entire film glorifies the joie de vivre of Paris, but it was shot on MGM's sound stages in California, except for a few opening, establishing shots of the scenic city. Nonetheless, it remains one of the most optimistic American films of the post-war period - with Paris at its center.